Interviews
LA Theatrix Interview - Conference of the Birds
Happy Choir Podcast — “Fahad Siadat is a musician who does it all”
OuterVoice with Clay Steakley - "he’s informed by a deep understanding of music history and theory, and driven by a vision for what’s next."
ChoirChat with John Hughes
The Art Take Podcast, "Business in Art with Fahad Siadat"
Moveable Do with Steve Danielson
Jewish Live - Arts, Provocation, and Jewish History
5.5 Questions for SASSAS
Challey College Radio interview on Fire and Ice concert program
Who’s in Charge here? Interview with The Voice (Chorus America)
Opera Ethnography and The Industries SWEETLAND
Happy Choir Podcast — “Fahad Siadat is a musician who does it all”
OuterVoice with Clay Steakley - "he’s informed by a deep understanding of music history and theory, and driven by a vision for what’s next."
ChoirChat with John Hughes
The Art Take Podcast, "Business in Art with Fahad Siadat"
Moveable Do with Steve Danielson
Jewish Live - Arts, Provocation, and Jewish History
5.5 Questions for SASSAS
Challey College Radio interview on Fire and Ice concert program
Who’s in Charge here? Interview with The Voice (Chorus America)
Opera Ethnography and The Industries SWEETLAND
Published Reviews
www.ladancechronicle.com/review-conference-of-the-birds-premieres-at-broadstage/“an extraordinary theater experience that bordered on being a spiritual journey...a symphony without any other musical instruments.”
LA Dance Chronicle Review of The Conference of the Birds
LA Dance Chronicle Review of The Conference of the Birds
“...Exceptional…”
LA Times Review of Sweetland
LA Times Review of Sweetland
“...the poignant vocals of tenor Fahad Saidat deliver the critical human element.”
Sequenza 21 Review of Daniel Lentz's Ending(s)
Sequenza 21 Review of Daniel Lentz's Ending(s)
“Nonstandard composer Fahad Siadat...goes all electro-acoustic on yer ass.”
Metal Jazz Review of SASSAS Performance
Metal Jazz Review of SASSAS Performance
“Conducting the lovely music with evident happiness...Fahad Siadat addressed the audience with his characteristic vivaciousness and caring good cheer.”
Theatre Scene Review of C4's "1 on 1"
Theatre Scene Review of C4's "1 on 1"
“...convincingly created the sense that we were witnessing the primal incantations of an ancient culture.”
Sequenza 21 Review of HEX at Monk Space
Sequenza 21 Review of HEX at Monk Space
“Of particular note here is the soloist, Fahad Siadat, whose vocalizing is crystal clear and possesses an innate sense of rhythm and excitement that becomes the vibrant life-blood of much of the piece. The tuning throughout is also great, and all of these factors come together to form a consummately musical and highly professional performance. I listened to this track quite a few times, such was my enjoyment of it!”
Audiophile Audition Review of C4 Volume 1: Uncaged
Audiophile Audition Review of C4 Volume 1: Uncaged
“Hypnotic melodies...rise to moments of droning beauty.”
Backstage Review of Saharava
Backstage Review of Saharava
“Fahad Siadat...asked probing questions in his impeccably structured, probing anthem “Who Is This Boy?” Gliding through close harmonies that refused to resolve…”
San Diego Story Review of Who is this Boy?
San Diego Story Review of Who is this Boy?
“Siadat enters and we commence a...concluding climactic overdrive, a pastoral-lyrical intensity that affirms a Modern Romantic sensibility.”
Gapplegate Review of Ending(s)
Gapplegate Review of Ending(s)
“The music...helped to create a sense of each shadowy pit and rang though the beautiful voices of the cast”
La Dance Chronicle Review of Hell Prepared
La Dance Chronicle Review of Hell Prepared